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As the train beaded north, Moore saw people lying in the stations and mothers undressing their babies on the platform. For Moore, this subterranean scene of civilians seeking shelter from the bombing was a revelation. "Even the holes out of which the trains were coming seemed to me to be like the holes in my sculpture,' he later wrote. "...There was tension in the air. [People] were a bit like the chorus in a Greek drama telling us about the violence we don't actually witness."
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Moore often spent the entire night below ground. At dawn he returned to his studio where he committed to paper what he had seen. He drew on cheap notebooks with pen and ink, crayon and watercolor. Of the shelter drawings, Clark wrote that they"will, I am certain, always be considered the greatest works of art inspired by the war."
More (or should that be Moore) of his Air Raid Shelter sketches - http://www.henry-moore-fdn.co.uk/matrix_engine/content.php?page_id=3145
Henry Moore Foundation website - http://www.henry-moore-fdn.co.uk